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Wednesday, August 6, 2025

🕉️ āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏে āĻļিāĻŦāĻĒূāϜাāϰ āĻŽাāĻšাāϤ্āĻŽ্āϝ āĻ“ āϤাāϰ āĻĒেāĻ›āύেāϰ āĻĒৌāϰাāĻŖিāĻ• āĻ•াāĻšিāύি





āĻšিāύ্āĻĻু āϧāϰ্āĻŽে āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏāĻ•ে āĻŦāϞা āĻšāϝ় "āĻļিāĻŦেāϰ āĻŽাāϏ"। āĻāχ āĻĒāĻŦিāϤ্āϰ āĻŽাāϏāϜুāĻĄ়ে āĻ­āĻ•্āϤāϰা āĻļিāĻŦেāϰ āωāĻĒাāϏāύা, āωāĻĒāĻŦাāϏ āĻāĻŦং āύাāύা āĻĒূāϜা-āĻ…āϰ্āϚāύা⧟ āĻŦ্āϝāϏ্āϤ āĻĨাāĻ•েāύ। āĻŦিāĻļেāώ āĻ•āϰে āϏোāĻŽāĻŦাāϰ āĻĻিāύāϟি āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏে āϏāϰ্āĻŦোāϚ্āϚ āĻ—ুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ, āϝেāĻĻিāύ "āĻļ্āϰাāĻŦāĻŖ āϏোāĻŽāĻŦাāϰ āĻŦ্āϰāϤ" āĻĒাāϞāύ āĻ•āϰা āĻšāϝ়। āĻ…āύেāĻ•েāχ āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰেāύ, āĻāχ āĻŽাāϏে āĻ­āĻ—āĻŦাāύ āĻļিāĻŦāĻ•ে āϤুāώ্āϟ āĻ•āϰāϞে āϜীāĻŦāύেāϰ āĻĻুঃāĻ–, āĻ•āώ্āϟ āĻ“ āϏংāĻ•āϟ āĻĻূāϰ āĻšā§Ÿ। āĻāχ āĻŦিāĻļ্āĻŦাāϏ āĻļুāϧু āϧāϰ্āĻŽী⧟ āύ⧟, āĻāϰ āĻĒেāĻ›āύে āφāĻ›ে āĻ—āĻ­ীāϰ āĻĒৌāϰাāĻŖিāĻ• āĻ•াāĻšিāύি।



āĻļিāĻŦেāϰ āĻļ্āϰেāώ্āĻ āϤ্āĻŦ āĻ“ āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏে āĻĒূāϜাāϰ āĻ•াāϰāĻŖ:

āĻ­āĻ—āĻŦাāύ āĻļিāĻŦ āĻšāϞেāύ āϏৃāώ্āϟিāϰ āϧ্āĻŦংāϏ āĻ“ āĻĒুāύāϰ্āϜāύ্āĻŽেāϰ āĻĻেāĻŦāϤা। āϤিāύি āφāĻļিāϰ্āĻŦাāĻĻে āĻĒ্āϰāϏāύ্āύ, āφāϰ āϰুāώ্āϟ āĻšāϞে āĻ•āĻ িāύ। āϤিāύি āĻļুāϧু āϤāĻĒāϏ্āĻŦী āύāύ, āϏāϰ্āĻŦāϏাāϧাāϰāĻŖেāϰ āĻĻেāĻŦāϤা — "āφāĻĻিāĻĻেāĻŦ" āĻŦা "āĻ­োāϞাāύাāĻĨ"।

āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏে āĻļিāĻŦāĻĒূāϜাāϰ āĻŽূāϞ āĻ‰ā§ŽāϏ āϏāĻŽুāĻĻ্āϰ āĻŽāύ্āĻĨāύেāϰ āϘāϟāύা, āϝা āĻŦāϰ্āĻŖিāϤ āĻšāϝ়েāĻ›ে āĻŦিāĻ­িāύ্āύ āĻĒুāϰাāĻŖে, āĻŦিāĻļেāώ āĻ•āϰে āĻļিāĻŦāĻĒুāϰাāĻŖ āĻ“ āĻ­াāĻ—āĻŦāϤ āĻĒুāϰাāĻŖে।




āĻĒৌāϰাāĻŖিāĻ• āĻ•াāĻšিāύি: āϏāĻŽুāĻĻ্āϰ āĻŽāύ্āĻĨāύ āĻ“ āĻšāϞাāĻšāϞ āĻŦিāώ

āϏ্āĻŦāϰ্āĻ—ে āĻĻেāĻŦāϤাāϰা āĻāĻŦং āĻ…āϏুāϰেāϰা āϝāĻ–āύ āĻ…āĻŽৃāϤ āϞাāĻ­েāϰ āϜāύ্āϝ āϏāĻŽুāĻĻ্āϰ āĻŽāύ্āĻĨāύ āĻļুāϰু āĻ•āϰে, āϤāĻ–āύ āϏāĻŽুāĻĻ্āϰ āĻĨেāĻ•ে āĻ…āύেāĻ• āĻŽূāϞ্āϝāĻŦাāύ āĻŦāϏ্āϤু āωāĻ ে āφāϏে — āϝেāĻŽāύ āĻ•াāĻŽāϧেāύু, āϐāϰাāĻŦāϤ, āϞāĻ•্āώ্āĻŽী, āϚāύ্āĻĻ্āϰ āχāϤ্āϝাāĻĻি। āĻ•িāύ্āϤু āϏেāχāϏāĻ™্āĻ—ে āωāĻ ে āφāϏে āĻāĻ• āϭ⧟āĻ™্āĻ•āϰ āĻŦিāώ — āĻšাāϞাāĻšāϞ।

āĻāχ āĻšāϞাāĻšāϞ āĻŦিāώ āĻāϤāϟাāχ āĻŦিāώাāĻ•্āϤ āĻ›িāϞ āϝে, āϤা āĻ—োāϟা āϏৃāώ্āϟি āϧ্āĻŦংāϏ āĻ•āϰে āĻĻিāϤে āĻĒাāϰāϤ।

• āϤāĻ–āύ āĻ­āĻ—āĻŦাāύ āĻļিāĻŦ āϏāĻŦ āĻĻেāĻŦāϤাāϰ āφāϰ্āϤি āĻļুāύে āĻŦিāώ āĻ—্āϰāĻšāĻŖ āĻ•āϰেāύ।

• āϤিāύি āϏেāχ āĻŦিāώ āĻ—āϞাāϝ় āϧāϰে āϰাāĻ–েāύ, āϝাāϤে āϤা āĻĒাāĻ•āϏ্āĻĨāϞীāϤে āύা āĻĒৌঁāĻ›াāϝ় āĻ“ āϤাঁāϰ āĻļāϰীāϰāĻ“ āϧ্āĻŦংāϏ āύা āĻšāϝ়।

• āĻŦিāώ āϧাāϰāĻŖেāϰ āĻĢāϞে āϤাঁāϰ āĻ—āϞা āύীāϞ āĻšāϝ়ে āϝাāϝ় — āϤাāχ āϤিāύি āĻĒāϰিāϚিāϤ āĻšāύ "āύীāϞāĻ•āĻŖ্āĻ " āύাāĻŽে।

• āĻāχ āϘāϟāύাāϰ āϏāĻŽā§ŸāĻ•াāϞ āϧāϰা āĻšā§Ÿ āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏ — āϤাāχ āĻāχ āĻŽাāϏে āĻļিāĻŦেāϰ āĻĒ্āϰāϤি āĻ•ৃāϤāϜ্āĻžāϤা āϏ্āĻŦāϰূāĻĒ āĻļুāϰু āĻšāϝ় āϤাঁāϰ āĻĒূāϜা।




āĻļিāĻŦāĻĒূāϜাāϰ āĻŽাāĻšাāϤ্āĻŽ্āϝ:

1. āĻŦিāώāĻ—্āϰāĻšāĻŖেāϰ āĻĒ্āϰāϤীāĻ•:
āĻļিāĻŦ āϤাঁāϰ āύিāϜেāϰ āĻ•āώ্āϟে āĻ—োāϟা āϜāĻ—āϤāĻ•ে āϰāĻ•্āώা āĻ•āϰেāĻ›েāύ — āϤাāχ āϤিāύি āϤ্āϝাāĻ—েāϰ āĻĒ্āϰāϤীāĻ•।


2. āφāĻļীāϰ্āĻŦাāĻĻāĻĻাāϤা āĻ“ āĻ­āĻ•্āϤāĻŦā§ŽāϏāϞ:
āĻļিāĻŦ āϏāĻšāϜে āϤুāώ্āϟ āĻšāύ, āϤাāχ āϤাঁāĻ•ে āĻŦāϞা āĻšā§Ÿ "āφāĻļুāϤোāώ"। āĻ­āĻ•্āϤেāϰ āĻ…āύ্āϤāϰেāϰ āϏāϤ্āϝāϤা⧟ āϤিāύি āϏāύ্āϤুāώ্āϟ āĻšāύ, āĻŦ⧜ āĻ†ā§ŸোāϜāύেāϰ āĻĒ্āϰ⧟োāϜāύ āĻšā§Ÿ āύা।


3. āϏাāϧাāϰāĻŖ āĻŽাāύুāώেāϰ āĻĻেāĻŦāϤা:
āĻļিāĻŦ āϏাāĻĻাāϏিāϧে āϜীāĻŦāύāϝাāĻĒāύ āĻ•āϰেāύ — āĻĒāĻļাāĻ•ুāϞা āĻŦāϏāύ, āĻŽাāĻĨা⧟ āϜāϟা, āĻ—āϞা⧟ āϏাāĻĒ, āĻšাāϤে āϤ্āϰিāĻļূāϞ — āϤিāύি āϏাāϧাāϰāĻŖ āĻŽাāύুāώেāϰ āĻ•াāĻ›াāĻ•াāĻ›ি।


4. āĻĻাāĻŽ্āĻĒāϤ্āϝ āĻ“ āĻļুāĻ­āĻŽāĻ™্āĻ—āϞ āĻ•াāĻŽāύাāϰ āĻĒ্āϰāϤীāĻ•:
āĻĒাāϰ্āĻŦāϤীāĻ•ে āĻŦāĻšু āϤāĻĒāϏ্āϝাāϰ āĻĒāϰ āĻĒেāϝ়েāĻ›িāϞেāύ, āϤাāχ āĻ•ুāĻŽাāϰী āĻŽে⧟েāϰা āĻ­াāϞো āĻŦāϰ āĻĒাāĻ“ā§Ÿাāϰ āφāĻļাāϝ় āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏে āĻļিāĻŦāĻĒূāϜা āĻ•āϰেāύ।





āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏে āĻĒূāϜাāϰ āφāϚাāϰ āĻ“ āϰীāϤি:

āĻĒ্āϰāϤিāĻĻিāύ āĻļিāĻŦāϞিāĻ™্āĻ—ে āϜāϞ, āĻĻুāϧ, āĻĻāχ, āϘি, āĻŽāϧু āĻ“ āϚিāύি āύিāĻŦেāĻĻāύ

āĻŦেāϞāĻĒাāϤা, āϧুāϤāϰা, āφāĻ•াāĻļāĻŦেāϞ āĻĢুāϞ āύিāĻŦেāĻĻāύ āĻ•āϰা

“āĻ“ঁ āύāĻŽঃ āĻļিāĻŦাāϝ়” āĻŦা “āĻŽāĻšাāĻŽৃāϤ্āϝুāĻž্āϜāϝ় āĻŽāύ্āϤ্āϰ” āϜāĻĒ āĻ•āϰা

āϏোāĻŽāĻŦাāϰ āωāĻĒāĻŦাāϏ āϰাāĻ–া — āĻāĻ• āĻŦেāϞাāϰ āφāĻšাāϰ, āύিāϰাāĻŽিāώ āĻ–াāĻŦাāϰ

āĻļিāĻŦāϚāϤুāϰ্āĻĻāĻļী, āύাāĻ—āĻĒāĻž্āϚāĻŽী, āĻāĻŦং āϰুāĻĻ্āϰাāĻ­িāώেāĻ• āĻ†ā§ŸোāϜāύ āĻ•āϰা



āϏাāĻŽাāϜিāĻ• āĻ“ āϏাংāϏ্āĻ•ৃāϤিāĻ• āĻĒ্āϰāĻ­াāĻŦ:

āύাāϰীāĻĻেāϰ āĻŽāϧ্āϝে āĻŦিāĻļেāώ āφāĻ—্āϰāĻš āĻĻেāĻ–া āϝাāϝ় āĻāχ āĻŽাāϏে — āϤাāϰা āĻŦিāĻļেāώāĻ­াāĻŦে āϏেāϜে, āωāĻĒāĻŦাāϏ āĻ•āϰে, āĻĒূāϜা āĻĻে⧟।

āĻļ্āϰাāĻŦāĻŖী āĻŽেāϞা, āĻ•ांā¤ĩা⧜ āϝাāϤ্āϰা āχāϤ্āϝাāĻĻিāĻ“ āĻāχ āĻŽাāϏেāϰ āĻāĻ•āϟি āĻ…ংāĻļ।

āĻ…āύেāĻ•েāχ āĻŦিāĻļ্āĻŦাāϏ āĻ•āϰেāύ, āĻļিāĻŦāĻĒূāϜা āĻ•āϰāϞে āϜীāĻŦāύে āϧৈāϰ্āϝ, āĻ•্āώāĻŽা āĻ“ āϤ্āϝাāĻ—েāϰ āĻ—ুāĻŖাāĻŦāϞি āĻŦৃāĻĻ্āϧি āĻĒাāϝ়।





āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏে āĻļিāĻŦāĻĒূāϜা āĻļুāϧুāĻŽাāϤ্āϰ āĻāĻ•āϟি āϧāϰ্āĻŽীāϝ় āφāϚাāϰ āύāϝ়, āĻāϟি āĻāĻ• āĻŽাāύāĻŦিāĻ• āĻŦাāϰ্āϤা āĻŦāĻšāύ āĻ•āϰে — āφāϤ্āĻŽāϤ্āϝাāĻ—, āϏāĻšāύāĻļীāϞāϤা, āĻāĻŦং āϏāĻ•āϞেāϰ āĻ•āϞ্āϝাāĻŖেāϰ āϜāύ্āϝ āύিāϜেāĻ•ে āĻ‰ā§ŽāϏāϰ্āĻ— āĻ•āϰাāϰ āĻĒ্āϰেāϰāĻŖা āĻĻে⧟।
āĻ­āĻ—āĻŦাāύ āĻļিāĻŦ āϝেāĻŽāύ āĻŦিāώ āύিāϜেāϰ āĻŽāϧ্āϝে āϰেāĻ–ে āϜāĻ—āϤāĻ•ে āϰāĻ•্āώা āĻ•āϰেāĻ›েāύ, āϤেāĻŽāύি āφāĻŽাāĻĻেāϰāĻ“ āϜীāĻŦāύ āĻšāϤে āĻšāĻŦে āϏāĻšিāώ্āĻŖু āĻ“ āφāϤ্āĻŽāϤ্āϝাāĻ—ে āĻĒāϰিāĻĒূāϰ্āĻŖ। āĻļ্āϰাāĻŦāĻŖ āĻŽাāϏ āϤাāχ āĻ•েāĻŦāϞ āĻļিāĻŦেāϰ āĻŽাāϏ āύ⧟ — āĻāϟি āφāϤ্āĻŽāύি⧟āύ্āϤ্āϰāĻŖ, āωāĻĒāĻŦাāϏ, āĻĒāĻŦিāϤ্āϰāϤা āĻāĻŦং āĻ­āĻ•্āϤিāϰ āĻāĻ• āĻ…āύāύ্āϝ āϏāĻŽā§Ÿ।

Saturday, August 2, 2025

Raksha Bandhan: A Festival of Love, Protection, and Tradition in India







Raksha Bandhan, often called Rakhi, is a traditional Indian festival that honors the deep bond of love, trust, and protection between brothers and sisters. The phrase “Raksha Bandhan” itself means “the bond of protection,” and it beautifully reflects the festival’s essence.


Mythological and Historical Roots

The festival’s origin can be traced back to ancient legends. In the Mahabharata, Draupadi tied a piece of her sari around Lord Krishna’s injured finger, and in return, Krishna vowed to protect her forever. Another well-known story tells of Rani Karnavati of Chittor, who sent a rakhi to Mughal emperor Humayun when her kingdom was under attack. Honoring the rakhi, Humayun set out to defend her.

These stories show that rakhi is more than just a thread—it is a promise of care and protection.


How it is celebrated

On Raksha Bandhan, sisters tie a rakhi around their brothers’ wrists while praying for their health and happiness. Brothers promise to protect and support their sisters and give them gifts as a sign of affection. Today, many also tie rakhi to cousins, close friends, or even soldiers, showing that the spirit of protection and love extends beyond family ties.


Cultural and Social Importance

Raksha Bandhan strengthens family bonds and revives emotional connections in a busy modern world. It promotes values like trust, gratitude, and mutual respect. Beyond siblings, it spreads a message of social harmony and unity, reminding everyone to stand together and care for one another.


 Modern Meaning

In today’s time, sisters send rakhis by post or online, proving that distance cannot weaken love. The festival has also come to symbolize equality, as brothers and sisters both support and protect each other.


Conclusion

Raksha Bandhan is not just a ritual of tying a thread; it is a living celebration of love, duty, and togetherness. Rooted in history and culture, it remains one of India’s most beautiful traditions, uniting hearts across generations.


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Monday, July 28, 2025

Why is there a tradition in Hinduism of immersing idols of gods or goddesses in water?






In the Hindu culture of the Indian subcontinent, the immersion (visarjan) of idols of gods or goddesses in water is an ancient ritual rich with deep meaning. It is not merely a religious custom, but rather carries profound philosophical insights, ecological awareness, and life lessons for humanity. This essay discusses the reasons, significance, and both immediate and long-term impacts of this practice.

 Reflection of the cycle of creation and dissolution

Hindu philosophy holds that the world is impermanent; everything that has been created will eventually decay or dissolve. Idols of deities are usually made from river clay, straw, wood, and other natural materials. At the end of worship, immersing these idols back into water returns them to the lap of nature. This reflects nature’s eternal cycle of creation, preservation, and dissolution, reminding humans that all aspects of life are transient.

God is omnipresent — not limited to idols

In Hindu thought, God does not reside solely within an idol but pervades all of existence. Through worship, devotees focus on a specific form of God; through immersion, it is expressed that God once again merges into everything around us, into every part of nature. This helps shift the mind of devotees from 'idol worship' to 'spiritual worship' or devotion beyond form.

The lesson of detachment and renunciation

During festivals and worship, deep attachment and emotion develop in the hearts of devotees towards the deity. Through immersion, devotees learn to free themselves from this attachment. The lesson is to know how to let go of beloved things or people when the time comes, which helps maintain balance in life.

Aspect of ecological balance

According to ancient practice, idols were made from Ganga clay, straw, wood, and natural colors, which, when immersed in rivers, would not harm the environment. This created an eco-friendly tradition of returning natural materials back to nature. Although nowadays the use of chemical colors and plaster of Paris has raised environmental concerns, the original purpose of the ritual was to protect and respect nature.

Conclusion of the festival and new beginnings

Immersion formally marks the end of the festival. It is also a kind of mental preparation, where after days of joy and devotion, people return to their daily lives inspired. Within this conclusion lies the hope and anticipation for the next year’s celebration.



Immersing idols of gods or goddesses in water is not merely a ritual but carries a deep philosophical message, respect for nature, and a profound lesson for human life. It teaches us that all creation will one day dissolve, that God is omnipresent, and that humanity’s relationship with nature is eternal. Thus, immersion reminds us that true peace lies in renunciation, and the real beauty of life is found in detachment.

Wednesday, July 23, 2025

Anjali — More Than Flowers: The Heart of Indian Spiritual Tradition





Whether it’s Durga Puja or any other ritual, offering anjali at the feet of the Goddess is an integral part of our culture. Many people think anjali simply means holding flowers in hand while reciting mantras. But in truth, anjali is much more than just a handful of flowers; it is the expression of our devotion, humility, and ultimate surrender. While this ritual appears graceful on the outside, it holds deep spiritual and philosophical significance within.

🌸 The meaning of the word ‘Anjali’

The word anjali comes from the Sanskrit root “anj”, which means “to smear” or “to cover.” Over time, it came to signify the special cup-like shape formed by joining both palms together — called hastaputa — in which we offer something sacred (arghya). Thus, anjali is not merely the flowers we hold; it is the sacred vessel made by our own hands, in which we offer our mind, heart, and consciousness.

đŸĒˇ Not just flowers, but surrender

Anjali is offered to the deity — but the deity doesn’t really need anything from us. The true meaning lies in our act of surrender: letting go of pride, greed, anger, envy, and inner conflict at the feet of the Divine. The flowers are merely symbols; the real offering is the purity of our heart and our self-restraint.

The threefold Anjali: its spiritual interpretation

During Durga Puja, anjali is offered three times along with sacred chants. These three rounds of anjali symbolize our prayer for purification in thought, word, and deed — so that we may attain not only external but also inner purity.

First anjali: the resolve to rid the body of impurity
Second anjali: the prayer to cleanse the mind of negative thoughts
Third anjali: the prayer to be freed from harsh or hurtful words

 Social and psychological aspects

Anjali is usually offered collectively, by many devotees at once. This creates a sense of shared devotion and emotional connection. In that moment, people feel each other’s presence and grow closer as a community. Bowing our heads in anjali teaches us to let go of our ego and pride.

Anjali as the language of surrender
Anjali is not merely an offering of flowers; it is an act of complete surrender. When we offer anjali at the feet of the Goddess, we silently say:

> “Mother, whatever flaws lie within me, I surrender them to you. Please teach me to become a truly good human being.”


This is what anjali teaches us that the greatest gift we can offer to the Divine is a pure heart and a selfless soul.

Friday, July 18, 2025

āĻĒ্āϰাāϚীāύ āĻ­াāϰāϤেāϰ āϚিāĻ•িā§ŽāϏা āϏāϰāĻž্āϜাāĻŽ āĻ“ āĻ…āĻĒাāϰেāĻļāύ āĻĒāĻĻ্āϧāϤি





(āĻ­িāϤ্āϤি: āϏুāĻļ্āϰুāϤ āϏংāĻšিāϤা, āϚāϰāĻ• āϏংāĻšিāϤা āĻāĻŦং āĻ…āύ্āϝাāύ্āϝ āĻĒ্āϰাāϚীāύ āĻ—্āϰāύ্āĻĨ)


āĻĒ্āϰাāϚীāύ āĻ­াāϰāϤ āĻ›িāϞ āϚিāĻ•িā§ŽāϏা āĻŦিāϜ্āĻžাāύেāϰ āĻ•্āώেāϤ্āϰে āĻŦিāĻļ্āĻŦে āĻ…āĻ—্āϰāĻ—āĻŖ্āϝ। āĻĒ্āϰাāϚীāύ āϚিāĻ•িā§ŽāϏা āĻĒāĻĻ্āϧāϤি āĻŽূāϞāϤ āĻ†ā§Ÿুāϰ্āĻŦেāĻĻেāϰ āωāĻĒāϰ āĻ­িāϤ্āϤি āĻ•āϰে āĻ—ā§œে āωāĻ েāĻ›িāϞ, āϝাāϰ āĻĻুāϟি āĻĒ্āϰāϧাāύ āĻļাāĻ–া āĻ›িāϞ –

āϚিāĻ•িā§ŽāϏা (medicine) – āϝাāϰ āĻŽূāϞ āĻ—্āϰāύ্āĻĨ āϚāϰāĻ• āϏংāĻšিāϤা
āĻļāϞ্āϝ āϚিāĻ•িā§ŽāϏা (surgery) – āϝাāϰ āĻŽূāϞ āĻ—্āϰāύ্āĻĨ āϏুāĻļ্āϰুāϤ āϏংāĻšিāϤা

āĻŦিāĻļেāώāϤ āĻļāϞ্āϝ āϚিāĻ•িā§ŽāϏা⧟ (surgery) āĻĒ্āϰাāϚীāύ āĻ­াāϰāϤী⧟āϰা āĻ…āϏাāϧাāϰāĻŖ āĻ…āĻ—্āϰāĻ—āϤি āĻ•āϰেāĻ›িāϞ। āϏুāĻļ্āϰুāϤāĻ•ে “āϏাāϰ্āϜাāϰিāϰ āϜāύāĻ•” (Father of Surgery) āĻŦāϞা āĻšā§Ÿ।




āĻĒ্āϰাāϚীāύ āϚিāĻ•িā§ŽāϏা āϏāϰāĻž্āϜাāĻŽ:

āϏুāĻļ্āϰুāϤ āϏংāĻšিāϤা āϤে āĻĒ্āϰা⧟ ā§§ā§Ļā§§āϟি āϧাāϤāĻŦ āĻ…āϏ্āϤ্āϰোāĻĒāϚাāϰ āϏāϰāĻž্āϜাāĻŽ (āϝেāĻŽāύ āϚিāĻŽāϟি, āĻ›ুāϰি, āϏুāχ āχāϤ্āϝাāĻĻি) āĻāĻŦং ⧍ā§Ļāϟি non-metallic instrument āĻāϰ āĻŦāϰ্āĻŖāύা āφāĻ›ে।

āĻ•িāĻ›ু āωāĻĻাāĻšāϰāĻŖ:
āĻ•াāϰ্āύী (Karni) – āĻ•াঁāϚি āϜাāϤী⧟ āϝāύ্āϤ্āϰ, āĻ•াāύ āĻŦা āύাāĻ•েāϰ āĻ…āĻĒাāϰেāĻļāύে
āĻ‰ā§ŽāϏাāϧāύ (Utsadana) – āĻ•্āώāϤ āĻŦা āĻĢো⧜াāϰ āĻĒুঁāϜ āĻŦেāϰ āĻ•āϰāϤে
āĻļāϰ্āϝ (Sharri) – āĻ›োāϟ āĻ›ুāϰি
āĻŦেāϤāϏ্āϝ (Vetasya) – āϤীāĻ•্āώ্āĻŖ āĻ›ুāϰি, āϚāϰ্āĻŽ āϰোāĻ— āĻŦা āĻ•্āώāϤ āĻ•াāϟা
āϏুāϚী (Suchi) – āϏূāϚ, āϏেāϞাāχ āĻ•āϰাāϰ āϜāύ্āϝ
āφāϰ্āϤু (Artru) – āĻšা⧜ āĻ•েāϟে āĻĢেāϞাāϰ āϝāύ্āϤ্āϰ
āϏ্āĻŦāϏ্āϤিāĻ• (Swastika) – āĻšা⧜ āϧāϰে āϰাāĻ–াāϰ āϝāύ্āϤ্āϰ
āϤ্āϰিāĻ•ূāϟী (Trikurti) – āϤিāύ āĻŽাāĻĨাāϰ āϚিāĻŽāϟি
āϤাāϞ্āϝ (Talya) – āĻšাāϤু⧜ি āϜাāϤী⧟ āϝāύ্āϤ্āϰ

āϤāĻ–āύāĻ•াāϰ āϏāϰāĻž্āϜাāĻŽāĻ—ুāϞো āĻĒ্āϰāϧাāύāϤ āϞোāĻšা, āϤাāĻŽা āĻ“ āĻŦ্āϰোāĻž্āϜ āĻĻি⧟ে āϤৈāϰি āĻšāϤো, āĻāĻŦং āϏāϰāĻž্āϜাāĻŽāĻ—ুāϞো sterilize āĻ•āϰাāϰ āϜāύ্āϝ āφāĻ—ুāύে āĻŦা āĻ—āϰāĻŽ āϜāϞে āϏিāĻĻ্āϧ āĻ•āϰāϤ।


āĻ…āĻĒাāϰেāĻļāύ āĻĒāĻĻ্āϧāϤি:

āĻĒ্āϰাāϚীāύ āĻ­াāϰāϤীāϝ় āϚিāĻ•িā§ŽāϏāĻ•āϰা āĻŦিāĻ­িāύ্āύ āϧāϰāύেāϰ āĻ…āĻĒাāϰেāĻļāύ āĻ•āϰāϤেāύ, āϝেāĻŽāύ:

āϰাāχāύোāĻĒ্āϞাāϏ্āϟি (āύাāĻ• āĻĒুāύāϰ্āĻ—āĻ āύ) – āϤāĻ–āύ āϝুāĻĻ্āϧ āĻŦা āĻļাāϏ্āϤিāϏ্āĻŦāϰূāĻĒ āύাāĻ• āĻ•েāϟে āĻĢেāϞাāϰ āĻĒ্āϰāϚāϞāύ āĻ›িāϞ; āϏুāĻļ্āϰুāϤ āĻāχ āύাāĻ• āĻ—āĻ āύ āύāϤুāύ āĻ•āϰে āĻ•āϰāϤেāύ āĻ•āĻĒাāϞেāϰ āϚাāĻŽā§œা āĻ•েāϟে āĻāύে।

āĻ•াāϟাāϰি āϚিāĻ•িā§ŽāϏা (Excision) – āϟিāωāĻŽাāϰ āĻŦা āĻ—ুāϟিāϞ āĻ•েāϟে āĻĢেāϞা।

āĻ•্āϝাāĻĨাāϰাāχāϜেāĻļāύ (Cauterization) – āφāĻ—ুāύ āĻŦা āĻ—āϰāĻŽ āϧাāϤু āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰে āĻ•্āώāϤ āĻŦা āϰāĻ•্āϤāĻĒাāϤ āĻŦāύ্āϧ āĻ•āϰা।

āĻāĻŦāϏেāϏ āĻ“ āĻĢো⧜া āĻĢোঁ⧜াāύো – Utsadana āχāϤ্āϝাāĻĻি āϝāύ্āϤ্āϰ āĻĻি⧟ে।

āĻ•্āϞিāύāϜিং āĻ…āĻĢ āĻŦ্āϞাāĻĄ āĻ“ āĻĒুঁāϜ – āϝাāϤে āĻ•্āώāϤ āĻĻ্āϰুāϤ āĻļুāĻ•া⧟।

āϚোāĻ–েāϰ āĻ›াāύি āĻ…āĻĒাāϰেāĻļāύ (Couching technique) – āϚোāĻ–েāϰ āϞেāύ্āϏ āϏāϰি⧟ে āĻ›াāύি āĻ•āĻŽাāύো।


āϏাāϰ্āϜাāϰি āĻ•āϰাāϰ āϏāĻŽā§Ÿ āϤাāϰা āύাāύা āϧāϰāĻŖেāϰ āĻ”āώāϧি (āĻ­েāώāϜ) āĻŦ্āϝāĻĨাāύাāĻļāĻ• āĻ“ āĻ…্āϝাāύ্āϟিāϏেāĻĒāϟিāĻ• āĻŦ্āϝāĻŦāĻšাāϰ āĻ•āϰāϤ, āϝেāĻŽāύ: āĻŽāϧু, āϘৃāϤ, āĻšāϰিāĻĻ্āϰা (āĻšāϞুāĻĻ), āϤুāϞāϏী āχāϤ্āϝাāĻĻি।



āĻ…্āϝাāύাāϏ্āĻĨেāϏি⧟া āĻ“ āĻĒ্āϰাāĻ•-āĻ…āĻĒাāϰেāϟিāĻ­ āĻ•েāϝ়াāϰ:

āĻ…āĻĒাāϰেāĻļāύেāϰ āφāĻ—ে āϰোāĻ—ীāĻ•ে āĻŽāĻĻāϜাāϤীāϝ় āĻĒাāύীāϝ় āĻŦা āĻŦিāĻļেāώ āĻ­েāώāϜ āĻŽিāĻļ্āϰāĻŖ āĻ–াāĻ“āϝ়াāύো āĻšāϤো, āϝাāϤে āϏে āĻ…āϚেāϤāύ āĻŦা āĻŦ্āϝāĻĨাāĻšীāύ āĻĨাāĻ•ে।
āĻāĻ›া⧜া āĻ…āĻĒাāϰেāĻļāύেāϰ āĻĒāϰ āĻ•্āώāϤ āϧো⧟া āĻšāϤো āĻ—āϰāĻŽ āϜāϞ āĻŦা āĻ­েāώāϜ āĻ•্āĻŦাāĻĨ āĻĻিāϝ়ে।



āĻļিāĻ•্āώাāĻŦ্āϝāĻŦāϏ্āĻĨা:

āϏুāĻļ্āϰুāϤ āϏংāĻšিāϤা āĻ…āύুāϝা⧟ী, āĻ›াāϤ্āϰāĻĻেāϰ āĻ—ুāϰুāϰ āĻ•াāĻ›ে āϏāϰাāϏāϰি āĻšাāϤে-āĻ•āϞāĻŽে āĻĒ্āϰāĻļিāĻ•্āώāĻŖ āύিāϤে āĻšāϤো।

āĻļāϞ্āϝāĻŦিāĻĻ্āϝা āĻļিāĻ–āϤে āĻŽৃāϤāĻĻেāĻšে āĻĒ্āϰ্āϝাāĻ•্āϟিāϏ āĻ•āϰা āĻŦাāϧ্āϝāϤাāĻŽূāϞāĻ• āĻ›িāϞ।

āĻ—াāĻ›েāϰ āĻ–োāϏা, āĻ•ুāĻŽā§œো āĻŦা āϤাāϞেāϰ āĻĒাāϤা āĻ•াāϟাāϰ āĻŽাāϧ্āϝāĻŽে āĻ•েāϟে āϏেāϞাāχ āĻļেāĻ–াāύো āĻšāϤো।



āĻĒ্āϰāĻ­াāĻŦ āĻ“ āϐāϤিāĻšাāϏিāĻ• āĻ—ুāϰুāϤ্āĻŦ:

• āϏুāĻļ্āϰুāϤ āϏংāĻšিāϤা āϞাāϤিāύ, āφāϰāĻŦি, āĻĢাāϰ্āϏি āĻ“ āĻ…āύ্āϝাāύ্āϝ āĻ­াāώা⧟ āĻ…āύূāĻĻিāϤ āĻšā§ŸেāĻ›িāϞ।
• āĻŽāϧ্āϝāϝুāĻ—ীāϝ় āχāωāϰোāĻĒেāϰ āϚিāĻ•িā§ŽāϏা āĻŦāχāĻ—ুāϞোāϤেāĻ“ āĻāϰ āĻĒ্āϰāĻ­াāĻŦ āĻĻেāĻ–া āϝা⧟।
• āφāϜāĻ•েāϰ āĻĒ্āϞাāϏ্āϟিāĻ• āϏাāϰ্āϜাāϰিāϰ āĻāĻ•েāĻŦাāϰে āĻ—ো⧜াāϰ āĻ­িāϤ্āϤি āϰাāĻ–া āĻšā§ŸেāĻ›িāϞ āϤāĻ–āύāχ।



āĻĒ্āϰাāϚীāύ āĻ­াāϰāϤেāϰ āϚিāĻ•িā§ŽāϏা āĻ“ āϏাāϰ্āϜাāϰি āĻļুāϧু āĻĒ্āϰāϝুāĻ•্āϤিāĻ—āϤ āĻ•ৌāĻļāϞ āύ⧟, āĻŦāϰং āĻŦিāϜ্āĻžাāύ, āύৈāϤিāĻ•āϤা, āϧৈāϰ্āϝ āĻ“ āĻļুāĻļ্āϰূāώাāϰ āĻŽিāĻļ্āϰāĻŖ āĻ›িāϞ।
āϏুāĻļ্āϰুāϤ āĻ“ āϤাāϰ āϏāĻŽāϏাāĻŽāϝ়িāĻ• āϚিāĻ•িā§ŽāϏāĻ•েāϰা āφāĻŽাāĻĻেāϰ āĻāĻŽāύ āĻāĻ• āϐāϤিāĻš্āϝ āωāĻĒāĻšাāϰ āĻĻি⧟েāĻ›েāύ, āϝা āφāϜāĻ“ āĻŦিāĻļ্āĻŦেāϰ āϚিāĻ•িā§ŽāϏাāĻŦিāĻĻ্āϝাāϰ āχāϤিāĻšাāϏে āϏ্āĻŦāϰ্āĻŖাāĻ•্āώāϰে āϞেāĻ–া āĻĨাāĻ•āĻŦে।

Saturday, July 12, 2025

āĻĻ্āĻŦাāϰāĻ•া – āĻāĻ• āĻšাāϰাāύো āĻĒৌāϰাāĻŖিāĻ• āĻļāĻšāϰেāϰ āĻ—āϞ্āĻĒ




āĻĻ্āĻŦাāϰāĻ•া (Dwarka) āĻļāĻŦ্āĻĻেāϰ āĻ…āϰ্āĻĨāχ āĻšāϞ ‘āĻĻ্āĻŦাāϰ’ āĻŦা ‘āĻĻ্āĻŦাāϰāĻ•া’ āĻŽাāύে ‘āĻ—েāϟāĻ“āϝ়ে’। āĻšিāύ্āĻĻু āĻĒুāϰাāĻŖ āĻ…āύুāϏাāϰে, āĻāϟি āĻ›িāϞ āĻļ্āϰীāĻ•ৃāώ্āĻŖেāϰ āϰাāϜāϧাāύী, āϝিāύি āĻŽāĻĨুāϰা āĻ›েāĻĄ়ে āϏāĻŽুāĻĻ্āϰেāϰ āϧাāϰে āĻāĻ• āĻĻুāϰ্āĻ­েāĻĻ্āϝ āύāĻ—āϰী āĻ—āĻĄ়েāĻ›িāϞেāύ।



🕉️ āĻĒুāϰাāĻŖে āĻĻ্āĻŦাāϰāĻ•া

āĻŽāĻšাāĻ­াāϰāϤ āĻāĻŦং āĻšāϰিāĻŦংāĻļ āĻĒুāϰাāĻŖ āĻ…āύুāϝাāϝ়ী, āĻ•ৃāώ্āĻŖ āϝāĻ–āύ āĻŽāĻĨুāϰাāϝ় āϜāϰাāϏāύ্āϧেāϰ āφāĻ•্āϰāĻŽāĻŖ āĻĨেāĻ•ে āĻŦাঁāϚāϤে āϚাāχāϞেāύ, āϤāĻ–āύ āϏāĻŽুāĻĻ্āϰেāϰ āϜāϞে āĻāĻ• āύāϤুāύ āĻļāĻšāϰ āϤৈāϰি āĻ•āϰāϞেāύ – āϏেāϟিāχ āĻĻ্āĻŦাāϰāĻ•া।

āĻŦāϞা āĻšāϝ়, āĻĻ্āĻŦাāϰāĻ•া āĻ›িāϞ āĻāĻ• āĻŦিāĻļাāϞ āĻĻুāϰ্āĻ—āύāĻ—āϰী, āϏোāύাāϰ āĻĒ্āϰাāϏাāĻĻ, āĻŽāĻŖিāĻŽুāĻ•্āϤাāϰ āĻĻেāϝ়াāϞ āφāϰ āĻŦিāϏ্āϤৃāϤ āĻŦāύ্āĻĻāϰ āĻ›িāϞ।

āĻ•ৃāώ্āĻŖেāϰ āĻŽৃāϤ্āϝুāϰ āĻĒāϰে, āĻĒৌāϰাāĻŖিāĻ• āĻ—āϞ্āĻĒে āĻŦāϞা āĻšāϝ় āĻĻ্āĻŦাāϰāĻ•া āϏāĻŽুāĻĻ্āϰāĻ—āϰ্āĻ­ে āĻĄুāĻŦে āϝাāϝ়।



🔍 āĻĒ্āϰাāϚীāύ āĻ—্āϰāύ্āĻĨ āĻ“ āĻŦিāĻĻেāĻļী āĻŦāϰ্āĻŖāύা

āĻ—্āϰীāĻ• āĻāĻŦং āϰোāĻŽাāύ āĻĒāϰ্āϝāϟāĻ• āĻŦা āĻŦāĻŖিāĻ•āĻĻেāϰ āϰেāĻ•āϰ্āĻĄে āĻĒāĻļ্āϚিāĻŽ āĻ­াāϰāϤেāϰ āĻŦāύ্āĻĻāϰ āύāĻ—āϰী āĻšিāϏেāĻŦে āĻĻ্āĻŦাāϰāĻ•াāϰ āωāϞ্āϞেāĻ– āφāĻ›ে।

āϚীāύা āĻĒāϰিāĻŦ্āϰাāϜāĻ• āĻšিāωāϝ়েāύ āϏাāĻ™ āĻ“ āĻ•িāĻ›ু āφāϰāĻŦ āĻĒāϰ্āϝāϟāĻ• āĻĻ্āĻŦাāϰāĻ•াāϰ āϏāĻŽুāĻĻ্āϰāĻĒāĻĨেāϰ āĻŦাāĻŖিāϜ্āϝেāϰ āĻ•āĻĨা āĻŦāϞেāĻ›েāύ।



🌊 āφāϧুāύিāĻ• āĻŦিāϜ্āĻžাāύ āĻ•ী āĻŦāϞে?

🧭 āφāϰ্āĻ•িāĻ“āϞāϜিāĻ•্āϝাāϞ āϏাāϰ্āĻ­ে āĻ…āĻĢ āχāύ্āĻĄিāϝ়া (ASI)

ā§§ā§¯ā§Žā§Š āϏাāϞে āĻ­াāϰāϤেāϰ ASI āĻ“ āύ্āϝাāĻļāύাāϞ āχāύāϏ্āϟিāϟিāωāϟ āĻ…āĻĢ āĻ“āĻļিāϝ়াāύোāĻ—্āϰাāĻĢি (NIO) āϏāĻŽুāĻĻ্āϰāϤāϞে āĻĒ্āϰāĻĨāĻŽ āĻŦāĻĄ়āϏāĻĄ় āĻ…āύুāϏāύ্āϧাāύ āϚাāϞাāϝ়।

āĻ—ুāϜāϰাāϟ āωāĻĒāĻ•ূāϞে āĻŦেāϤ āĻĻ্āĻŦাāϰāĻ•া (Bet Dwarka) āĻ“ āĻĻ্āĻŦাāϰāĻ•া āĻļāĻšāϰেāϰ āĻ•াāĻ›ে ā§Šā§Ļ-ā§Ēā§Ļ āĻĢুāϟ āĻ—āĻ­ীāϰে āϏ্āĻĨাāĻĒāύা, āύোāĻ™āϰেāϰ āĻ–ুঁāϟি, āĻĻেāϝ়াāϞেāϰ āĻ…ংāĻļ, āĻĒাāĻĨāϰেāϰ āĻŦ্āϞāĻ•, āĻŽৃā§ŽāĻĒাāϤ্āϰেāϰ āϟুāĻ•āϰো āĻĒাāĻ“āϝ়া āϝাāϝ়।

āĻ•াāϰ্āĻŦāύ āĻĄেāϟিংāϝ়ে āĻāĻĻেāϰ āĻŦāϝ়āϏ āϧāϰা āĻšāϝ় āĻ–্āϰিāϏ্āϟāĻĒূāϰ্āĻŦ ā§§ā§Ģā§Ļā§Ļ āĻĨেāĻ•ে ⧍ā§Ļā§Ļā§Ļ āĻāϰ āĻŽāϧ্āϝে।

āĻ•িāĻ›ু āĻĒāĻŖ্āĻĄিāϤ āĻŦāϞেāύ, āĻāĻ—ুāϞোāχ āĻĒৌāϰাāĻŖিāĻ• āĻĻ্āĻŦাāϰāĻ•াāϰ āĻ…āĻŦāĻļিāώ্āϟাংāĻļ।


 

🔍 āφāϧুāύিāĻ• āϏāĻŽুāĻĻ্āϰāĻŦিāϜ্āĻžাāύ

āϏāĻŽুāĻĻ্āϰেāϰ āύিāϚে āĻĒাāĻ“āϝ়া āĻ•াāĻ াāĻŽোāĻ—ুāϞি āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰে āϝে āĻĒ্āϰাāϚীāύ āϏāĻŽāϝ়ে āϏāĻŽুāĻĻ্āϰāĻĒৃāώ্āĻ েāϰ āĻĒāϰিāĻŦāϰ্āϤāύ āĻāĻŦং āύāĻĻীāϰ āϧাāϰা āĻāχ āĻļāĻšāϰāϟিāĻ•ে āĻĄুāĻŦিāϝ়ে āĻĻিāϝ়েāĻ›িāϞ।

āĻāĻ–াāύāĻ•াāϰ āϏ্āĻĨাāĻĒāύা āĻĨেāĻ•ে āĻŦোāĻা āϝাāϝ় āĻāϟি āϏāĻŽুāĻĻ্āϰāĻŦাāĻŖিāϜ্āϝāύিāϰ্āĻ­āϰ āϏāĻŽৃāĻĻ্āϧ āĻļāĻšāϰ āĻ›িāϞ।





⚖️ āĻŦিāϤāϰ্āĻ•

āĻ•িāĻ›ু āĻŦিāϜ্āĻžাāύী āĻŦāϞেāύ, āĻāχ āĻ•াāĻ াāĻŽো āĻĒ্āϰাāĻ•ৃāϤিāĻ•।

āĻ…āύ্āϝāĻĻেāϰ āĻŽāϤে, āĻāĻ—ুāϞো āĻŽাāύুāώেāϰ āϤৈāϰি। āϤāĻŦে āϏāϰাāϏāϰি ‘āĻ•ৃāώ্āĻŖেāϰ āĻĻ্āĻŦাāϰāĻ•া’ āĻ•িāύা, āϏেāϟা āύিāĻļ্āϚিāϤāĻ­াāĻŦে āĻĒ্āϰāĻŽাāĻŖিāϤ āύāϝ়।

āύāϤুāύ āĻĄুāĻŦো āĻ…āύুāϏāύ্āϧাāύ āĻĒ্āϰāĻŽাāĻŖ āĻ•āϰāĻ›ে, āĻ…āύ্āϤāϤ āĻĒ্āϰাāϚীāύ āĻāĻ• āĻŦāύ্āĻĻāϰāύāĻ—āϰী āĻāĻ–াāύে āĻ›িāϞāχ।



🕍 āĻŦāϰ্āϤāĻŽাāύ āĻĻ্āĻŦাāϰāĻ•া

āφāϜāĻ•েāϰ āĻĻ্āĻŦাāϰāĻ•া (āĻ—ুāϜāϰাāϟেāϰ āϜাāĻŽে āύāĻ—āϰ āϜেāϞাāϰ āĻ•াāĻ›ে) āĻšিāύ্āĻĻুāĻĻেāϰ ā§­āϟি ‘āĻŽোāĻ•্āώāϧাāĻŽ’ āϤীāϰ্āĻĨেāϰ āĻāĻ•āϟি।

āĻĻ্āĻŦাāϰāĻ•াāϧীāĻļ āĻŽāύ্āĻĻিāϰ (āĻļ্āϰীāĻ•ৃāώ্āĻŖ āĻŽāύ্āĻĻিāϰ) āĻŦāĻ›āϰে āϞāĻ•্āώ āϞāĻ•্āώ āϤীāϰ্āĻĨāϝাāϤ্āϰীāĻ•ে āϟাāύে।

āϏāĻŽুāĻĻ্āϰāĻ—āϰ্āĻ­ে āĻĻ্āĻŦাāϰāĻ•া āĻāĻ–āύāĻ“ āϰāĻšāϏ্āϝ, āϝা āĻĒāϰ্āϝāϟāĻ• āĻ“ āĻ—āĻŦেāώāĻ•āĻĻেāϰ āφāĻ•āϰ্āώāĻŖ āĻ•āϰāĻ›ে।

 

āĻĻāϰ্āĻļāύাāϰ্āĻĨীāϰ āϜāύ্āϝ āϤāĻĨ্āϝ

 

 āĻ•ীāĻ­াāĻŦে āϝাāĻŦেāύ:

 

āύিāĻ•āϟāϤāĻŽ āĻŦিāĻŽাāύāĻŦāύ্āĻĻāϰ: āϜাāĻŽāύāĻ—āϰ (āĻĒ্āϰা⧟ ā§§ā§Šā§­ āĻ•িāĻŽি)।

 

āϟ্āϰেāύে: āĻĻ্āĻŦাāϰāĻ•া āϰেāϞāϏ্āϟেāĻļāύ āĻĻিāϞ্āϞি, āĻŽুāĻŽ্āĻŦাāχ, āφāĻšāĻŽেāĻĻাāĻŦাāĻĻ āχāϤ্āϝাāĻĻি āĻļāĻšāϰেāϰ āϏāĻ™্āĻ—ে āϏংāϝুāĻ•্āϤ।

 

āϰোāĻĄে: āϰাāϜ্āϝ āϏāĻĄ়āĻ• āĻŦা āĻŦাāϏে āϏāĻšāϜেāχ āĻĒৌঁāĻ›াāύো āϝাāϝ়।

 

🏨 āĻ•োāĻĨাāϝ় āĻĨাāĻ•āĻŦেāύ:

 

āĻĻ্āĻŦাāϰāĻ•াāϝ় āĻŦāĻšু āĻšোāϟেāϞ, āϧāϰ্āĻŽāĻļাāϞা āĻ“ āĻ—েāϏ্āϟ āĻšাāωāϏ āφāĻ›ে।

 

🕰 āĻ­্āϰāĻŽāĻŖেāϰ āϏেāϰা āϏāĻŽāϝ়:

 

āĻ…āĻ•্āϟোāĻŦāϰ āĻĨেāĻ•ে āĻŽাāϰ্āϚ।

 āĻĒৌāϰাāĻŖিāĻ• āĻ•াāĻšিāύী āφāϰ āφāϧুāύিāĻ• āϏāĻŽুāĻĻ্āϰāĻŦিāϜ্āĻžাāύ āĻŽিāϞে āĻŦāϞāĻ›ে – āĻš্āϝাঁ, āĻāĻ•āϟা āϏāĻŽৃāĻĻ্āϧ āĻĒ্āϰাāϚীāύ āύāĻ—āϰী āϏāϤ্āϝিāχ āĻāĻ–াāύে āĻ›িāϞ।
āϤāĻŦে āĻĒুāϰোāĻĒুāϰি ‘āĻ•ৃāώ্āĻŖেāϰ āĻĻ্āĻŦাāϰāĻ•া’ āĻ•িāύা, āϤাāϰ āϰāĻšāϏ্āϝ āĻāĻ–āύো āϏāĻŽুāĻĻ্āϰāĻ—āϰ্āĻ­েāχ āϞুāĻ•াāύো। āϤāĻŦে āĻĒুāϰাāĻŖ āφāϰ āχāϤিāĻšাāϏ āĻŽিāϞিāϝ়ে āĻāĻ• āĻŦিāϏ্āĻŽāϝ়āĻ•āϰ āϰāĻšāϏ্āϝ āĻĻ্āĻŦাāϰāĻ•া। āϏāĻŽুāĻĻ্āϰেāϰ āϤāϞা⧟ āĻāĻ–āύāĻ“ āϞুāĻ•ি⧟ে āφāĻ›ে āϏেāχ āĻšাāϰাāύো āĻļāĻšāϰেāϰ āĻ—āϞ্āĻĒ, āϝা āφāĻŽাāĻĻেāϰ āĻĒ্āϰাāϚীāύ āϏāĻ­্āϝāϤা āĻ“ āϏংāϏ্āĻ•ৃāϤিāϰ āĻ…āĻŽূāϞ্āϝ āϏাāĻ•্āώী।

 

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